I came to Teos Romvos’s books immediately attracted to their sprawling vivid tales of Exarcheia in the 70s, 80s, vagabonding characters round the globe, through today; free discoveries found in translation, fresh understandings of solidarity imaginings.
Windings of super fruitful everyday, spectra of intimacy ideas pushing back against oppression, discrimination; entertainment as education. Teo’s writings manifest as accessible queer elixirs of humble and lyric, banal beauty adventure erotics, do it yourself together love letters in motion; expressive existence as coaxing exchange.
I wrote to Teo and he replied, inviting me anytime, suggesting I meet a friend I was already in touch with pictorially online and we travel together in the spirit, string-type constellations. Happenings. And there’s Τρύπα, the zine periodical Teo and his friends including partner Hara created from an independent publishing house Octopus Press, apparently suggestive of life ways too boundless: (politically) vital, risqué comics of biting, blurred poetics prompting gut reactions, signs of timeless.
I met with Teo and Hara at their treehouse place on Ano Syros with a visiting friend, where we shared amongst languages all mixed up, postcards and views, cats, spanakopita and salad, crossing all over contentedly earthed from the lusty day (steps, sea, speedy coast to inland drives with honey, fishes, ice cream, topless rocks, grandmother castles, coffee, friends artworks in olive groves, ancient graffiti, stone thrones, enfants terribles, muse murals, prickly pears, non-existent galleries, critics, coolness, muscles, pogo dancing: surreal nature zones,) freedom flourishes.
Teo and Hara involve themselves in sustainable permaculture too and most recently, an eco-culture preservation project across the cycladic islands to halt the effects of mega tourism, taking it to the state. Creative, researched diplomacy embracing endangered collaboration; street stories, nature magnetism, pragmatic romance, wild community.
Syros, October 2019